Of course, none of the 36 GTOs made during the 1962-64 production run were identical, and the car constantly evolved. The first 18 were supplied with the rear spoiler as a separate item, which then had to be bolted to the body.
Variations included the rear wing, the size of the radiators, the number of ducts, and all manner of other experimental alterations. But because so many cars were damaged in the heat of battle, it’s almost impossible to know exactly what changes were made.
Three prototypes were powered by a 4.0-litre V12; although there were only three Series 2 GTOs (built in 1964), with different bodywork, four of the first run of 36 were subsequently rebodied to include the updated body and mechanical enhancements.
Rarely used in a full works capacity, the GTO was still only made available to Enzo’s top privateers and drivers.
The Superamerica mulotipo, chassis no: 2643, actually ran at Le Mans in 1961, and Stirling Moss raced it to a fourth place finish at Daytona in 1962. There were also victories at Goodwood and Silverstone.
One of the best-known GTOs was a pale green right-hand drive car, campaigned by the UDT-Laystall team, run by Moss’s father Alfred and his manager Ken Gregory.
The 250 GTO would notch up more than 500 competitive appearances overall, including victories in the Tour de France, class wins in the Targa Florio and at Le Mans (in 1962 GTOs finished second and third overall at La Sarthe). Quite simply, it was one of Ferrari’s most successful racing cars. As well as being sublimely beautiful.
Perhaps the most famous 250 GTO owner of all is Pink Floyd’s Nick Mason, so let’s give the last word to him. ‘Why does it stand out? The GTO looks great, virtually all of them have history, and as strange as it sounds, it’s an amazing all-rounder.